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| "A haunting, austere parable that has been
directed with assurance by Lech Majewski who has a flair for starkly
poetic compositions. His film retains its spare, arresting visual
style throughout.” |
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– Janet Maslin
The New York Times |
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This program
is made possible with
support from
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The Films of Lech Majewski
A Touring Exhibition |
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find
a theatre near you |
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link
to official website |
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link
to the Washington Post review |
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International Film Circuit
is pleased to present seven feature films in new 35mm prints by acclaimed
artist, poet, and filmmaker, Lech
Majewski. Not nearly as well known as he should be outside his
native Poland, Majewski has produced one astounding film after another.
The cinematography is formally exquisite and the narratives are closer
to dreamwork than mere stories. Discover Lech Majewski! |
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GLASS LIPS, 2007, Poland.
With Patryk Czajka, Grzegorz Przybyl.
A young poet, whose violent father’s shadow looms over
him, recalls traumatic episodes from his life while locked
away in an asylum. Majewski originally presented this work
as a gallery installation entitled Blood of a Poet,
composed of thirty-three video art pieces exhibited on multiple
screens. Glass Lips, a narrative feature film, is
drawn from these thirty-three elements. 97 min.
An earlier compilation of these video
art pieces was presented as part of the Lech Majewski retrospective
at the Museum of Modern Art in New York in May 2006, under
the title Blood of a Poet. |
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GARDEN OF EARTHLY DELIGHTS, 2004, Great
Britain/Italy.
Cinematography by Lech Majewski. Music by Majewski, Jozef
Skrzek. With Claudine Spiteri, Chris Nightingale.
In this intense tale of passion and mortality, a beautiful
but dying London art historian, obsessed with Hieronymus Bosch’s
Garden of Earthly Delights, spends her last months in Venice
with her lover. In English. 103 min.
Grand
Prix 2004 Rome International Film Festival
"A luminous, highly erotic treatise
on art, love and death."
-- Andrea Gronvall, Chicago Reader
"Achingly gorgeous, not least because
of Claudine Spiteri's disarmingly straightforward performance.
The movie's philosophy is lucid and humane: Life is precious
because it is short."
-- R. Emmet Sweeney, The Village Voice
"Stunning visuals and a sizzling
performance by Claudine Spiteri: You're going to love this
film and run out to see everything Majewski has directed."
-- V.A. Musetto New York Post
"A virtuoso tale of intense love
full of passion and tenderness."
-- Piero Zanotto, Il Gazzettino Venezia
"Elegant…digital video riff
on Death in Venice.”
-- Nathan Lee, The New York Times |
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ANGELUS, 2000, Poland.
Cowritten by Bronislaw Maj, Ireneusz Siwinski. Music by Majewski,
Jozef Skrzek. With Jan Siodlaczek, Pawel Steinert.
A painterly eye and dark humor inform this Silesian tale of
a young male virgin who must be sacrificed to save the world.
Majewski portrays a community responding to World War II and
Stalinism with primitive metaphysics. 103 min.
Grand
Prix, Camerimage, 2001
Audience
Award, Miami Film Festival, 2002
Prix
Federico Fellini, 2002
"When it isn't exciting the eye
with its precise, painterly imagery, Lech Majewski's 'Angelus'
amuses in a wry, absurdist fashion… The film's mode
of setting up fantastically designed and lensed tableaux shots,
has a nearly hallucinating impact on the eye… There's
a purified aura of beauty in 'Angelus' that creates a sometimes
stunning sense of the imagination overcoming all obstacles."
-- Robert Koehler, Variety
"Angelus is a fascinating film that
recalls the work of Tarkovsky, while standing alone as a unique
expression of Majewski's creative impulse. It's an otherworldly
film, its images meticulously composed in a vivid, painterly
style… The result is a film of uncommon beauty, celebrating
the pursuit of art and enlightenment in all its myriad forms."
-- Darryl Macdonald, Seattle International Film Festival |
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WOJACZEK, 1999, Poland.
The last days of Rafal Wojaczek, a rebelious poet who died
prematurely in his twenties like Jean-Michel Basquiat and
Jim Morrison. Fueled by his self-destructive life, his poetry
made a lasting impression on generations of Poles. He drank
and fought and walked through windows. Confronting death on
a daily basis, he tried to tame it. Loved by women, he cared
for no one, not even himself, living desperado-style only
for poetry. Conscious of the need for myth in the mythless
reality of communist Poland, he burned his life as an offering.
89 min.
New
Directors/New Films
Rotterdam Film Festival
Berlin Film Festival
London Film Festival
Karlovy Vary Film Festival
Los Angeles Film Festival
"Lech Majewski's 'Wojaczek' is
a virtuoso achievement!"
-- Doris Meirhenrich, Berlinale
"Just as Wojaczek's nihilism has
a core of passionate wit, so too does the movie. Gorgeously
grim black and white, Majewski's camerawork has an almost
classical austerity."
-- A.O. Scott, The New York Times
"Lech Majewski's 'Wojaczek' creates
a new style for a biopic - much more powerful and incisive
than the traditional one."
-- Kerstin Decker, Der Tagesspiegel
"Majewski’s haunting new film,
compounded by the striking visual style - Wojaczek can linger
on for months after seeing the film only once."
-- Ray Privett, Cinema Scope USA
"Black-and-white elegance… Continually laugh-out-loud
biopic."
-- J. Hoberman, Village Voice |
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THE ROE’S ROOM, 1997, Poland.
Art direction by Lech Majewski. Music by Majewski and Jozef
Skrzek. With Rafal Olbrychski, Elzbieta Mazur.
An autobiographical film opera about a young poet and countertenor,
his parents, and the apartment in which they live. The poet’s
sensitivity filters visions of the apartment as it is slowly
devoured by nature. In summer, the floor becomes overgrown
with grass, leaves of plaster fall in autumn, and in winter,
the blizzard comes out of the refrigerator. The Roe’s
Room is a story of life and death. Nature, the final victor,
will eventually devour the walls, the tables and the shelves.
Sung in Polish w/Eng st. 90 min. Video Formats Only
"Disturbing and visionary. The
Roe’s Room is a masterpiece.”
– Carlo Montanaro, La Nuova di Venezia
"A visionary and musical poem. A
profound, subtle and very original movie.” –
Claude Chamberlain, Montreal Festival du Nouveau Cinema
"Majewski’s normal multi-tasking
takes on even greater dimensions in his absolutely singular
autobiographical film opera. Writing (libretto and music),
directing and designing this often limpidly beautiful cycle
of life parable, he conjures some remarkable images out of
an extremely contained spatial and thematic environment…
One of a kind.”
– Gareth Evans, Time Out London
"There is a strange, entrancing
beauty to the images and music in The Roe’s Room…Majewski
creates striking visual tableaux that possess a memorable,
haunting quality.” -- Brendan Kelly, Variety |
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GOSPEL ACCORDING TO HARRY, 1992. USA.
With Viggo Mortensen, Jennifer Rubin, Rita Tushingham. Starring
Viggo Mortensen before he was celebrated, this maverick allegory
takes place, according to Majewski, when “the Pacific
has dried up and California has become a desert. A couple
try to make the best of it but life is hard; even sex hurts.
The only person who enjoys himself is Harry, the tax collector.”
88 min. In English.
Toronto
Film Festival
Chicago
Film Festival
"This highly visual, beautifully
shot film functions as a metaphor of modern discontent. As
in a poem, we enter a dreamlike world where our imagination
is given free rein. Majewski exposes a malaise that invests
today’s world boldly juxtaposing domestic strife against
a vast allegorical canvas that embraces the political and
the religious. Gospel According to Harry is a striking film,
where the director’s maverick vision creates a metaphor
for our times against a barren landscape.”
-- Piers Handling, Toronto International Film Festival, September
1994 |
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THE KNIGHT (RYCERZ), 1980. Poland.
With Piotr Skarga, Daniel Olbrychski. A haunting, austere ballad
about a knight’s quest for a gold-stringed harp whose
sound is said to bring peace and harmony. The film’s imagery
is inspired by medieval icons. 81 min. New
York Film Festival London
Film Festival Los
Angeles Film Festival
"A haunting, austere parable that
has been directed with assurance by Lech Majewski who has
a flair for starkly poetic compositions. His film retains
its spare, arresting visual style throughout.” --
Janet Maslin, The New York Times
"Lech Majewski’s beautiful, mystical film, The
Knight, has rich nightmarish images inspired by 13th century
icons.”
-- Kevin Thomas, Los Angeles Times
Lech Majewski, a Polish artist who works internationally,
is known for the films and videos he writes, directs, and
shoots, and for his original scores. A graduate of the Lodz
Film School, Majewski is also a poet, painter, and stage director
celebrated for opera and theatrical events. His stylized moving-image
works eschew language in favor of music and fantastically
expressive landscapes, both domestic and topographical. His
imaginative features are distinguished by a unique sensibility
hovering not only between the absurd and the metaphysical,
but also the beautiful and the profane. All films are written
and directed by Majewski. In Polish with English subtitles
unless otherwise noted.
(Text is from the MOMA catalog. The MOMA program was organized
by Laurence Kardish, Senior Curator, Department of Film and
Media, Museum of Modern Art, NYC) |
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